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4
JUPITER 4-CHANNEL AMPLIFIER APPLICATIONS
4 CHANNEL FULL RANGE SYSTEM
2 or 3 CHANNEL SYSTEM
- HI PASS: N/A
Here we show how to use the 4 channel amplifiers as straightforward discrete 4
- LOW PASS: N/A
channel full range units.
Interconnect cable checklist:
Channels 3/4:
- Connect the four inputs of the amplifier to a Radio/CD with quality RCA cables.
- HI PASS: N/A
- LOW PASS: N/A
Switch setting checklist:
- 1/2CH X-OVER: FULL
Level control checklist:
- 3/4CH X-OVER: FULL
- Refer to the section “Setting up systems after installation for best performance”
Minimum final loudspeaker impedances:
Crossover frequency control checklist:
- 2 ohm per channel.
Channels 1/2:
Switch setting checklist:
Here we show how to use the 4 channel amplifiers as a 3 channel unit by taking
- 1/2CH X-OVER: FULL
advantage of the mono bridging capability of all Hifonics amplifiers.
- PARAMETRIC BASS EQ: X10
The following example shows how to create a 3 channel system by mono
- FREQUENCY: X10
bridging channel pair 3 / 4. In order to create a 2 channel system, simply follow
the example to also mono bridge channel pair 1 / 2.
- 3/4CH X-OVER: LP/BP
Interconnect cable checklist:
- Connect the inputs of channel pair 1/2 to a suitable stereo source, e.g. a head
unit with good quality RCA cables.
TIP: If you are using the mono sub bass output of an active crossover, there is
- A MONO signal source is suggested to bridge channel pair 3/4, such as would
nothing wrong with switching in the low pass filter in these amplifiers for a
be available from the mono sub bass output of an active crossover, whether
steeper low pass rolloff.
standalone, or built into a head unit or equalizer. If you only have 1 set of RCA
outputs from your headunit, you can simply connect those to the inputs for ch
Level control checklist:
1/2 and switch the MODE to 2ch. The amplifier will auto sum the signal and
- Refer to the section “Setting up systems after installation for best performance”
provide mono output for bridged channels 3/4 once the X-OVER is switched to
LP/BP.
Minimum final loudspeaker impedances:
Important: Do not be tempted to connect the hot, or positive outputs, from any
- 2 ohm per channel in stereo mode.
source together to obtain a mono signal, as this could very well damage the
- 4 ohm mono bridged.
output stage of that source.
- It is suggested to feed the SAME signal to both left and right inputs via a Y-
adapter RCA cable.
- Connect the mono speaker positive terminal to the RIGHT +, and its negative
terminal to LEFT - as shown.
- PARAMETRIC BASS EQ: X1
- FREQUENCY: X1
STEREO LINE INPUT
MONO LINE INPUT
(Unless using procedure
listed above for 3ch)
POWER INPUT
GND REM BATT+12V
CH 1/2 SPEAKER OUTPUT CH 3/4
RIGHT LEFT RIGHT LEFT
- + - + - + - +
BRIDGED BRIDGED
HFR-G1
REMOTE
DIAGNOSTIC
RED-SHORT CIRCUIT
AMBER-THERMAL
RED-CLIP
AMBER-NEAR CLIP
GREEN-PRE CLIP
HP LP/BP
CROSSOVER
PARAMETRIC EQ
PARAMETRIC EQ
HP
FULL RANGE
FULL
X1
X1
4CH
MODE
X1
X1
X10
X10
2CH
X10
X10
LINE INPUT
CH 3&4
CH 1&2
FREQUENCY FREQUENCY BANDWIDTH BOOST SUBSONIC LEVEL
40Hz 400Hz 40Hz 400Hz NARROW WIDE -10dB +10dB 15Hz 150Hz 9V 0.2V
40Hz 400Hz 40Hz 400Hz NARROW WIDE -10dB +10dB 9V 0.2V
FREQUENCY FREQUENCY BANDWIDTH BOOST LEVEL
4Ch
MONO MIX
OUTPUT
Ch1 Ch3
Ch2 Ch4
HFR-G1
REMOTE
DIAGNOSTIC
RED-SHORT CIRCUIT
AMBER-THERMAL
RED-CLIP
AMBER-NEAR CLIP
GREEN-PRE CLIP
HP LP/BP
CROSSOVER
PARAMETRIC EQ
PARAMETRIC EQ
HP
FULL RANGE
FULL
X1
X1
4CH
MODE
X1
X1
X10
X10
2CH
X10
X10
LINE INPUT
CH 3&4
CH 1&2
FREQUENCY FREQUENCY BANDWIDTH BOOST SUBSONIC LEVEL
40Hz 400Hz 40Hz 400Hz NARROW WIDE -10dB +10dB 15Hz 150Hz 9V 0.2V
40Hz 400Hz 40Hz 400Hz NARROW WIDE -10dB +10dB 9V 0.2V
FREQUENCY FREQUENCY BANDWIDTH BOOST LEVEL
4Ch
MONO MIX
OUTPUT
Ch1 Ch3
Ch2 Ch4
POWER INPUT
GND REM BATT+12V
CH 1/2 SPEAKER OUTPUT CH 3/4
RIGHT LEFT RIGHT LEFT
- + - + - + - +
BRIDGED BRIDGED
FUSE
FUSE
6


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