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BOUTONS DE COMMANDE ET FONCTIONS
ON
Il indique que
l'amplificateur
est activé.
CH A
Réglage de
volume pour
les voies A.
HI-PASS
Réglage de
volume pour
la section HI-
PASS (voies A)
prévue pour la
reproduction
des fréquences
aigües
sélectionnées
par le crossover.
IN SELECT
IN B (A + B)
IN A - IN B
IN SELECT placé sur IN B (A + B)
IN SELECT placé sur IN A - IN B
IN SELECT éteint
CH B
STÉRÉO:
Représente les
voies B en stéréo.
MIX-MONO:
Répresente les
voies B en mono
en
mélangeant
les entrées
stéreo.
LO-PASS
STÉRÉO:
Prédispose en
stéréo la section
LO-PASS (voies
B) prévue pour
la reproduction
des fréquences
graves
provenant du
crossover.
MIX-MONO:
Représente en
mono la section
LO-PASS (voies B)
en mélangeant
les signaux
stéréo
provenant de la
sortie grave du
crossover.
X-OVER
OFF:
Permet
d'exclure la
section
crossover
interne et
d'établir le
fonctionnemm
ent à gamme
entière de 2, 3
ou 4 voies.
ON:
Met en
fonction la
section
crossover en
divisant la
gamme audio
en LO-PASS et
HI-PASS.
IN B
Entrée utilisable
pour régler les
voies A et B de
l'amplificateur.
OUT BY-PASS
Sortie
préamplifiée
destinée à un
amplificateur
supplémentaire.
IN B
Entrée pour régler
les voies B de
l'amplificateur.
IN A
Entrée pour régler
les voies A de
l'amplificateur.
X-OVER
IN:
Entrée principale
pour le crossover
interne qui divise
la gamme audio
en HI-PASS et
LO-PASS en
dirigeant les deux
bandes sonores
vers les sorties
correspondantes.
OUT HI
Sortie HI-PASS
destinée à un
amplificateur
supplémentaire.
X-OVER ON
crossover mis
en fonction
X-OVER OFF
crossover exclu
INDICATEURS
LUMINEUX
CONTRÔLES DE
VOLUME
PRÉDISPOSITION DE
FONCTIONNEMENT
CONTRÔLE DE
CROSSOVER
ENTRÉE
PRINCIPALE
ENTRÉE/SORTIE
SECONDARIE
CH B
Réglage de
volume pour
les voies B.
LO-PASS
Réglage de
volume pour
la section LO-
PASS (voies B)
prévue pour la
reproduction
des fréquences
graves
sélectionnées
par le crossover.
SAFE
Il indique
l'intervention
des protections
en cas de
surchauffe
(max 80° C) ou
anomalies de
sortie (présence
d'un courant
continu,
courtcircuit ou
impédance de
charge très
basse).
L'intervention
des protections
rend
l'amplifucateur
inopérant.
Mettre
l'amplificateur
en position
OFF, éliminer le
problème et
remettre en
position ON.
X-OVER
CUT:
Règle
l'intersection
des fréquences
LO-PASS et HI-
PASS (48 -
4800 Hz).
STÉRÉO
:
Représente
les voies A
en stéréo.
MONO - IN R:
Représente les
voies A en mono.
Entrée utilisée R
de IN A ou IN B
(voir IN SELECT).
CH A
STÉRÉO
:
Représente en
stéréo les voies
A prévues pour
les fréquences
HI-PASS.
MONO:
Représente en
mono les voies A
prévues pour les
fréquences HI-PASS.
Entrée utilisée R.
CH A (HI-PASS)
POWER
Input clamps for the
amplifier power supply.
Connect the battery positive
and negative according to
indicated polarities.
Applied voltage must be
between 11 and 15 VDC.
CONFIGURATION OF CONNECTING CLAMPS
CH A/HI-PASS
Left and Right power
outputs for ch A channels
(amplifier with crossover
off) or outputs for Left and
Right HI-PASS channels
(amplifier with crossover
on ).
Ch A outputs are full
range, while HI-PASS
outputs are selected as hi-
pass (48-4800 Hz,
adjustable ) by the internal
crossover, if on.
CH B/LO-PASS
Left and Right power
outputs for ch B channels
(amplifier with crossover
off) or outputs for Left and
Right LO-PASS channels
(amplifier with crossover
on). Ch B outputs are full
range, while LO-PASS
outputs are selected as lo-
pass (48 - 4800 Hz,
adjustable) by the internal
crossover, if on.
MONO
Outputs to be used when
ch A channels (if internal
crossover is off) or HI-PASS
channels (if internal
crossover is on) are
selected as MONO IN R
through the proper switch
on the front panel of the
amplifier.
MONO
Outputs to be used when
ch B channels (if internal
crossover is off) or LO-
PASS channels (if internal
crossover is on) are
selected as MIX MONO
through the proper switch
on the front panel of the
amplifier.
OUTPUT CLAMPS
POWER SUPPLY
CLAMPS
IN
Turn on
control for the
amplifier
coming from
radio-cassette
player (or
from any
sources
provided with
remote control
for amplifiers).
Applied
voltage must
be between 7
and 15 VDC.
REMOTE
11


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