Manual Zoom 9200 (page 70 of 71) (English)

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Group

Phase

Pitch

Gate

Template

Tem pla te

Template

Name

Effects

Comments

Reverb into phascr creates this spacy effect.

Try

using on bass

patches. Basic revert, time is 4.5s, w/40ms, of predelay.

[l]

Phase

[2]

Revl Serial

Space Phase

Undulator

This program sends the echo signal into the phaser. Try with elec-

tric guitar. Digital delay time is 250111s. with

50%

Xfeedback. Use

mono mode for panning.

Two phascrs are patched in series with different modulation speeds

and inverted phase creak an interesting effect for synth sounds.

[l]

Phase

[2]

Phase

[l]

Phase

[2]

Echo1

Phase

Serial

Hcrc one pitch shifter tunes the signal up

cents, and the other

down

cents patching scrially into the verb. For vocals. Reverb

timc is 0.8~~ wJ25ms. of prcdclay.

First, the pitch shiftcrs creates a detuned oclave below signal. This

is sent into the reverb

for

interesting vocal effect. Basic reverb

he is 3.

S, wll8ms. of predelay.

Double Shift

Octaves Vox

[l]

Rev2

[3]

APitch

[2]

Pitch

Serial

The pitch shiftcrs crcate a dcluned ocbve below the signal, which is

thcn scnt to thc ccho in series. Delay time is 250ms, ~150%

Xfccdback.

For singers who may sing flat, this pitch shifter raises pitch

cents,

and then goes on to the rcvcrb. Basic reverb time is 3.1s, wlW6ms.

of predelay.

[l]

F~hol [3]A Pitch

[21

Pitch

Delay Shift Rev

Serial

[l]

Revl

[2]

Pitch Serial

Idol Plate

[l]

E/K1

[2]

Pitch

The ever-popular, ultra-dctuned sound of the 'honky tonk' piano cre-

ated with this program with pitch shifting and early reflection algo-

rithms.

Honky Room

Two pitch shiftcrs create a harmony around the source signal

(-3/+4 semitones) which is delayed by a 220ms. echo.

[l]

Revl [3]

Pitch

[2]

Pitch

Harmonize Echo

Serial

First the rcverb fattens the signal with

100%

attack emphasis, and

then it goes to a 60ms gate. Snare heaven. Basic reverb time is 2.

2s. w/0. lms. of predelay.

This program begins with a delayed reverb patched serially into a

30rns. noisc gate, making a slow slapback effect. Basic reverb time

is 2.0s, wI125ms. of predelay.

[l]

Rev2 [3]

Pitch

[2]

Pitch

Power Gate

Serial

Knock Gate Rev

Rever b-Gate

[l]

Gate

[21

R~VI

This program gcncratcs a 160rns. gated rush of pink noise by send-

ing a bright, equalbxd rcvcrb into a noise gate. Basic reverb time is

2.3s. wI0. lms. of prcdclay.

Serial

Gate

[2]

Revl Serial

[l]

Gate

121

EIK2 Serial This bright rcvcrsc ga~cd rcvcrb is created with an early reflection

algorithm using

ncgiitivc

tap

angle into

340 ms. noise gate. Use

the reverb

to changc tone.

Reverse Gate

Hcrc, a rcverb

gatcd with a hold time of 100ms. To make the gate

steeper, turn thc relcasc down. To alter the tone, change the Hi Cut

and Damping of the rcverb.

This is a gated revcrb with 70ms. hold and ample release time. Play

with thc gatc Xover parameter to get different tonal shapes in the

decay.

[l]

Gate

[2]

Kevl Serial

Smooth Gate

Slow Gate Reverb

Hi-Pass Gate

[I]

Gate

[2]

Rev4 Serial

This unique sound is created with the Xover

the noise gate, set at

25kHz. Lowering this to OIIz yields a frec reverb, raising to 8kHz

leaves only very high frequencies.

[l]

Gate

[2]

Revl Serial

This tremolo cffect is created using the trigger mask parameter of

the noise gatc

to change tcmpo of thc tremolo, change this parame-

tcr in both modules 2

This is a ternplatc setup for using the

voice chorus effect.

[l]

Rev2 [3]

Gate

[2]

Gatc

Gatemolo Reverb

Serial

36th Chorus

[l]

Chors

This lcmplatc has

default 250ms. delay set up for each module.

Usc mono input modc to get four discrete echo paths, or stereo for

bi-controllable

pairs.

This is a tcmplatc for using 2 stereo EQs. Although the same dual

3-band EQs can bc constructed with program

95,

the

EQs change

both sides simultancousl y.

This is a tcmpla~e for using

EQs simultaneously. They can

used to process 4 discrete signals, or as dual stereo EQs

(see

next),

or as a serial-linked stcrco 6-band EQ.

This is a template for using 2 stereo gates. Although the same dual

gates can be constructed with program

94,

the B Noise Gates

change

both

sides simultaneously.

This is tcmplatc for using

gatcs simultaneously. They can

used

as noisc gatcs for 4 discrete signals or as hked tremolo modules.

[l]

[2]

[l]

Echo [3]

Echo

[2]

Echo [4]

Echo

Twin EQ

O1,T

Quad EQ

[l]

Gate

[2]

Gate

Twin Gate

Quad Gate

Tri

Reverb

Quad Reverb

This is an excellent choice for mixing down multitracks: use the

sterco rcvcrb in module 1 for most of the mix, and reserve modules

3 and

for snare or solo tracks.

III

[l]

Gate

[3]

Gate

[2]

Gate [4]

Gate

This template has for independent reverb lines.Use mono input

mode to get four discrete echo paths, or stereo for bi-controllable

pairs.

[l]

Rev2 [3] A Rev

[2]

Rev

OFF

[l]

Revl [3]

Rev2

[2]

Revl [4]

Rev2

OFF

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Zoom 9200 Manual

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