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01V96i Quick Start Guide
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01V96i Tips & Short-Cuts
Using the [SEL] switches
1. CHANNEL PAIR
Hold [SEL] for one channel and press [SEL] for the adjacent channel to make a stereo pair. This works for input and
output channels, so long as the left side is an odd number and the right side is an even number. The channel with the
[SEL] button you hold first is the master channel for the pair: its settings are copied to the other channel (except for
pan and bus routing). Repeating this action breaks the stereo pair, to make the channels mono again.
2. CHANNEL COPY
Select the source channel with its [SEL] button, then press
the [CHANNEL COPY] button (this must be assigned to
a USER DEFINED KEY). Then press the [SEL] button of
the destination channel and click [PASTE] (also assign-
able to a USER DEFINED KEY).
Other Short-Cuts
1. EQ Gain to 0dB
To reset the gain of an EQ band to 0dB, press and hold the relevant band selection button (in the SELECTED CHAN-
NEL) for one second.
2. EQ Reset
To return the whole Parametric EQ for a channel to its default settings, press the [LOW] and [HIGH] band selection
buttons at the same time.
3. Copy STEREO Mix to an AUX
Press and hold LAYER button [1-16] or [17-32], then press a FADER MODE button [AUX1]-[AUX8], and click YES
in the confirmation box on the LCD. This copies the fader levels to the selected AUX sends. (Make sure the Aux sends
are all PRE by clicking the GLOBAL PRE button on the SEND page in the AUX DISPLAY menu).
4. SCENE FADE TIME Copy
To assign the same fade time to all channels, first enter the required FADE TIME for one channel, then double-click
[ENTER] to copy the time to all the other input or output channels.
5. DELAY TIME Copy
To assign the same delay time to all channels, first enter the required DELAY TIME for one channel, then double-click
[ENTER] to copy the time to all the other input or output channels.
NOTE: The parameters which are copied are deter-
mined on the PREFER 2 page in the [DIO/SETUP]
menu.
NOTE: Repeat the same procedure for each fader layer to copy the whole mix to the Aux sends, as only one layer is cop-
ied at a time.
TIP: This is useful for making a quick headphone mix in a recording session, or making a quick stage-monitor mix for a
guest musician at a live performance.
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