Manual TC Helicon Perform-VK (page 13 of 15) (English)

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13 PERFORM-VK User Manual

Function Controlled CC# MIDI Standard Values UMA25s Mapping Notes Bug Notes

Transducer Filter 86 undened — — preset —

Double HumanAmount 87 undened — — volatile —

Mixer OverallOutputAnalog 102 undened — — volatile —

Special CCs

—

bank select MSB 0 bank select MSB

— — —

programs use bank

0 only

— bank select LSB 32 bank select LSB — — — —

— data entry MSB 6 data entry MSB — — — RPN/NRPN data entry

— data entry LSB 38 data entry LSB — — — —

— data increment 96 data increment — — — —

— data decrement 97 data decrement — — — —

— NRPN LSB 98 NRPN LSB — — — —

— NRPN MSB 99 NRPN MSB — — — —

— RPN LSB 100 RPN LSB — — — —

— RPN MSB 101 RPN MSB — — — —

— All Sound O 120 all sound o — — — —

— All Notes O 123 all notes o — — — —

RPN/NRPN Implementation

RPN 0: Pitch Bend Sensitivity. This is a standard way to change pitch bend range.

MIDI Tempo

Perform-VK responds to incoming MIDI tempo and will adjust system Tap

Tempo accordingly.

Split Point and Transpose

When controlling harmony via MIDI, in either Notes mode or NaturalPlay, it is

sometimes desirable to have one section of the keyboard designated to sending

that control information. It could be the area that your left hand is, to play chords

of harmonies.

In order to designate an area of the keyboard to respond to, a Split Point is set.

Any notes, either above or below the split point, are deemed useable by the

system. Notes outside the range are rejected.

To set the Split Point, hold the SET button and press the note on your keyboard

that you want to act as the split note. Then, to choose a split ABOVE that note,

release the split note and press a note ONE SEMITONE ABOVE your split note.

To choose a split BELOW, release the split note and press a note ONE SEMITONE

BELOW your split note.

This creates a split, above or below, with no transposition. In order to set a split

point AND transpose the incoming MIDI notes, you will choose a dierent note in

place of the ABOVE/BELOW notes mentioned above.

It will seem a bit confusing, but does allow you to make both a split above/below

point AND transpose either up or down. So, here’s a chart and some explanation.

Second Note Split Transpose X To

X+6 Above X5

— Above —

X+2 Above X1

X+1 Above X (no transpose)

X+0 — —

X-1 Below X (no transpose)

X-2 Below X6

— Below —

X-6 Below X2

In the chart above, “X” is the split note, the point at which you want to split the

keyboard, as explained previously.

To facilitate things like “split above, but transpose down” we need to have

settings both above and below your split point. That’s where the chart comes in.

For example, if you want to split ABOVE middle C, typically known as C4,

but transpose DOWN so that C4 is actually C2, you’d do the following:

1. Hold SET

2. Press middle C (C4)

3. Press the note 6 SEMITONES DOWN from middle C (F#)

If you want to split BELOW middle C (C4) and transpose up so that C4 is C6, you’d:

1. Hold SET

2. Press middle C (C4)

3. Press the note 2 SEMITONES DOWN from middle C (A#)

You may need to experiment a bit to gure this out, but it does give you the

ability to set your split point, split direction and transposition very quickly.

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TC Helicon Perform-VK Manual

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