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Roland BK-7M BACKING MODULE Manual

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MFX types and parameters
122
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Backing Module BK-7m
●
EQ High Gain (–15dB~0~15dB)—Gain of the high frequency
range.
●
Balance (D100:0W, D50:50W, D0:100W)—Volume balance
between the direct (D) and the effect sound (W).
●
Level (0~127)—Output level.
82. Sympa Reso
On an acoustic piano, holding down the damper pedal allows
other strings to resonate in sympathy with the notes you play,
creating rich and spacious resonances. This effect simulates
these sympathetic resonances.
●
Depth (0~127)—Depth of the effect.
●
Damper (0~127)—Depth to which the damper pedal is pressed
(controls the resonant sound).
●
Pre LPF (16~15000Hz, Bypass)—Frequency of the filter that cuts
the high-frequency content of the input sound (BYPASS: no cut).
●
Pre HPF (16~15000Hz, Bypass)—Frequency of the filter that cuts
the low-frequency content of the input sound (BYPASS: no cut).
●
Peaking Freq (200~8000Hz, Bypass) —Frequency of the filter
that boosts/cuts a specific frequency region of the input sound.
●
Peaking Gain (–15dB~0~15dB)—Amount of boost/cut produced
by the filter at the specified frequency region of the input
sound.
●
Peaking Q (0.5, 1.0, 2.0, 4.0, 8.0)—Width of the frequency
region boosted/cut by the ‘Peaking Gain’ parameter (larger val-
ues make the region narrower).
●
HF Damp (16~15000Hz, Bypass)—Frequency at which the high-
frequency content of the resonant sound will be cut (BYPASS:
no cut).
●
LF Damp (16~15000Hz, Bypass)—Frequency at which the low-
frequency content of the resonant sound will be cut (BYPASS:
no cut).
●
Lid (6, 5, 4, 3, 2, 1)—This simulates the actual changes in sound
that occur when the lid of a grand piano is set at different
heights.
●
EQ Low Frequency (200Hz, 400Hz)—Frequency of the low-range
EQ.
●
EQ Low Gain (–15dB~0~15dB)—Amount of low-range boost/cut.
●
EQ Mid Frequency (200~8000Hz) —Frequency of the midrange
EQ.
●
EQ Mid Gain (–15dB~0~15dB)—Amount of midrange boost/cut.
●
EQ Mid Q (0.5, 1.0, 2.0, 4.0, 8.0)—Width of midrange (larger val-
ues make the region narrower).
●
EQ High Frequency (2000Hz, 4000Hz, 8000Hz)—Frequency of
the high-range EQ.
●
EQ High Gain (–15dB~0~15dB)—Amount of high-range boost/
cut.
●
Level (0~127)—Output level.
83. Vib-Od-Rotary
This effect combines an overdrive and a rotary with Vibrato/
Chorus. The vibrato effect cyclically modulates the pitch of
organ sounds (which is not the same as the Rotary effect). The
chorus effect mixes the normal sound of the organ with a
sound to which vibrato has been applied, adding richness and
spaciousness to the sound.
●
Vibrato Chorus Switch (Off, On)—Turns the Vibrato Chorus on/
off.
●
Vibrato Chorus Type (V-1, V-2, V-3, C-1, C-2, C-3)—
V-1, V-2, V-3: This applies vibrato (pitch modulation). Increasing
the value will produce a deeper effect.
C-1, C-2, C-3: This applies chorus to add depth and spaciousness
to the sound. Increasing the value will produce a deeper effect.
●
Vibrato Chorus Vintage (‘50, ‘60, ‘70)—Tonewheel sounds of the
1950s, ‘60s and ‘70.
●
Vibrato Chorus Level (0~127)—Level of the Vibrato Chorus
effect.
●
Overdrive Switch (Off, On)—Turns the Overdrive on/off
●
Overdrive Drive (0~127)—Degree of distortion
●
Overdrive Level (0~127)—Sets the Overdrive output level.
●
Rotary Switch (Off, On)—Turns the Rotary on/off.
●
Rotary Speed (Slow, Fast)—Rotational speed of the rotating
speaker.
●
Rotary Woofer Slow Speed (0.05~10.00Hz)—Low-speed rota-
tion speed of the woofer.
●
Rotary Woofer Fast Speed (0.05~10.00Hz)—High-speed rota-
tion speed of the woofer.
●
Rotary Woofer Acceleration (0~15)—Adjusts the time it takes
the rotor woofer to reach the newly selected speed (“Fast” or
“Slow”). Lower values correspond to slower transitions.
●
Rotary Woofer Level (0~127)—Sets the woofer level.
●
Rotary Tweeter Slow Speed (0.05~10.00Hz)—Low-speed rota-
tion speed of the tweeter.
●
Rotary Tweeter Fast Speed (0.05~10.00Hz)—High-speed rota-
tion speed of the tweeter.
●
Rotary Tweeter Acceleration (0~15)—Adjusts the time it takes
the rotor tweeter to reach the newly selected speed (“Fast” or
“Slow”). Lower values correspond to slower transitions.
●
Rotary Tweeter Level (0~127)—Sets the tweeter level.
●
Rotary Separation (0~127)—Spatial dispersion of the sound.
●
Rotary Level (0~127)—Sets the output level of the effect.
84. Center Canc
Removes the sounds that are localized at the center of the ste-
reo input. This is a convenient way to eliminate a vocal.
●
L-R Balance (–50~0~50)—Volume balance of the L (left) and R
(right) channels for removing the sound.
●
Range Low (16~15000Hz)—Lower frequency limit of the band
to be removed.
●
Range High (16~15000Hz)—Upper frequency limit of the band
to be removed.
BK-7m_UK.book Page 122 Tuesday, January 4, 2011 9:25 AM
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