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290 Pinnacle Studio
or short (under three seconds). There should be some continuity of motif from one scene to
the next.
Bridging the gaps
Make an effort to bridge the gaps from one filming location to another. You can use close-
ups, for example, to bridge chronological jumps, zooming in on the face, then back out after
a few seconds onto a different scene.
Maintain continuity
Continuity consistency of detail from one scene to the next is vital in providing a satisfying
viewing experience. Sunny weather does not fit with spectators who opened their umbrellas.
Tempo of cuts
The tempo at which a film cuts from one scene to the next often influences the message and
mood of the film. The absence of an expected shot and the duration of a shot are both ways
of manipulating the message of the film.
Avoid visual disjunctions
Stringing together similar shots in succession may result in visual disjunctions. A person may
be in the left half of the frame one moment and in the right half of the frame the next, or
may appear first with and then without eyeglasses.
Do not string together pan shots
Pan shots should not be strung together unless they have the same direction and tempo.
Rules of thumb for video editing
Here are some guidelines that may be helpful when you come to edit your movie. Of course,
there are no hard and fast rules, especially if your work is humorous or experimental.
Do not string together scenes in which the camera is moving.
Pans, zooms, and other moving shots should always be separated by static shots.
Shots that follow one another should be from different camera positions. The camera
angle should vary by at least 45 degrees.
Sequences of faces should always be shot alternately from varying angles of view.
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