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Pinnacle Studio 23 Manual

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Multi-Camera Editing 261
Playback bar with Home, Previous Frame, Play, Next Frame, and End
buttons.
Loop — Lets you play the selected track continuously by looping back to the start when
it reaches the end.
Set Volume — Lets you adjust the audio volume for playback.
Timecode control — Lets you view and set the time/frame that appears in the
main preview pane and where the scrubber is set in the timeline. Click the arrows or a click
number value to set a time/frame.
The timeline includes the following controls:
Source Manager — Lets you add and remove clips. For more information, see
“Managing multi-camera source files” on page 267.
Show/Hide Audio Waveform View — Lets you view the audio waves for Camera and
Audio tracks.
Lock/Unlock — Appears on individual tracks. Locking tracks is recommended after
you synchronize them.
Include/Exclude from Synchronization — Lets you determine which tracks are
included in the synchronization process.
Mute/Unmute — Lets you turn the audio off (mute) or on (unmute) for the selected
audio track.
Zoom to Timeline — Located in the lower left corner of the timeline, this control lets you
expand or compress your project so you can view the whole project in the timeline.
Zoom Level slider — Drag the slider or click the Zoom in (plus sign) or
Zoom out (minus sign) to change the zoom level for your project. This is particularly helpful
when editing individual segments in the Multi-Camera track.
The following general controls appear in the upper-left corner of the application window:
Settings — Lets you access the Proxy Manager and Save As. For more information, see
“Using Smart Proxy for a faster, smoother editing experience” on page 268 and “To save your
multi-camera project” on page 268.
Undo and Redo — Lets you undo or redo most actions.
Basic steps in multi-camera editing
The following steps provide a basic overview of the multi-camera editing process.
1 Import the video and audio clips that you want to use into the Pinnacle Studio Library.
2 Choose the clips in the Library and import them into the Multi-Camera Editor, using a
special import window that lets you assign the clips to “Camera 1”, “Camera 2”, etc...
… 271 …


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