5
((11)) HHiigghh GGaaiinn IInnppuutt
High Gain Input used for most electric guitars. It is 10 dB louder than the Low Gain input.
((22)) LLooww GGaaiinn
Low Gain is provided for instruments that have extremely high outputs, which can result in overdriving (distorting)
the High Gain input. If both inputs are used simultaneously, the output levels are the same (Both are low gain.).
((33)) PPrree GGaaiinn
Pre Gain controls the input level of the Nashville 112. Adjusting this control clockwise will increase the input level
resulting in a hotter, more responsive signal.
((44)) PPrree EEQQ PPaattcchh ((VVoolluummee PPeeddaall PPaattcchh))
These 1/4" mono jacks allow for Pre EQ effects patching. Connect a quality shielded instrument cable between
the “send” jack and the input of your external effects unit. Connect another quality shielded instrument cable
from the output of your effects unit to the “return” jack. Pay attention to the external effects unit levels (input and
output) to avoid distortion. Consult the owner’s manual for your effects unit. It should be noted that too strong a
signal at the return jack can overdrive the EQ section of the Nashville 112. If this happens, the effects unit output
should be reduced.
((55)) LLooww,, MMiidd,, aanndd HHiigghh EEQQ
This section is an active tone control. Adjusting these knobs clockwise from the center (0) position will amplify
the low, mid, or high frequency content. Adjusting counterclockwise from the center (0) position will attenuate the
low, mid, or high frequency content.
((66)) SShhiifftt
The Shift knob changes the center frequency of the Mid EQ (5), allowing you to tailor the Nashville 112 EQ to
accommodate your tone requirements. The center frequency can be adjusted from 150 Hz to 1.5 kHz. Keep in mind
that the further you turn the knob away from a frequency, the less affect the Mid EQ will have on that frequency.
NNoottee::
The shift and MID controls interact in determining the preferred mid-range settings.
((77)) PPrreesseennccee
Presence is an active tone control that boosts the extreme high frequencies up to 15 dB.
((88)) PPoosstt EEQQ PPaattcchh
Similar to the Pre EQ Patch(4), these jacks are post EQ. The same connections apply. The return level should still
be monitored for its strength. In addition, the Post EQ Patch can be taken in and out of the signal path via the
footswitch (not included).
((99)) MMaasstteerr RReevveerrbb
Adjusting this control clockwise will result in more reverb content in the output of the amp. The reverb can be
defeated by rotating the control counterclockwise or via the footswitch (not included).
FFrroonntt PPaanneell
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