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REAR CONNECTIONS
INPUTS
1. AC INPUT and Power Switch: This
mixer is designed to work with the
power supply cord that comes with the
unit. While the power switch on the
mixer is off, plug the power supply into
the mixer first, then plug it into the
outlet. Use this power switch to turn on
the mixer after all input devices are
already connected to prevent damage to
your equipment. Turn the mixer on
before you turn on amplifiers and turn
off amplifiers before you turn off the
mixer.
2. Microphone Inputs (DJ MIC) & (2):
Microphones with a 1/4” or XLR
connector can be connected to the DJ
MIC (XLR connection is on face panel).
MIC 2 accepts a standard 1/4”
connection.
3. Line Inputs: CD players, Tape Decks,
Samplers or other line-level input
devices should be connected to these
inputs.
4. Phono/Line Inputs: This input is used
for connecting your turntables through
the sensitive RIAA phono preamplifiers.
You can also connect line-level devices
here if the Phono/Line switch is set to
“line”.
5. GND (Ground Posts): Use this
connector to attach to turntables or
other devices that need to be grounded
to the mixer’s chassis.
6. Phono/Line (Source switch): This
switch activates and deactivates the
RIAA phono preamplifiers. Only
turntables with phono-level output
should be assigned when the switch is in
the phono position. Some turntables
offer line-level output. To use these
turntables and other line devices like CD
players, switch the input to Line.
OUTPUTS
7. Fader Start Outputs CFA, CFB: Use
standard 1/8” (3.5mm) cables to
connect these outputs to Numark and
other popular brands of CD players
equipped with remote start. CFA and
CFB represent the Fader start on
Crossfader “A” and “B” side
respectively.
8. Zone Output: The MASTER output can
be routed to the ZONE output. The
ZONE knob controls the level of this
output.
9. Booth Output: Connect this output to
the DJ booth speakers. The volume for
this output is independently controlled
on the face panel by the BOOTH knob.
10. Record Output: This output is for
connecting a recording device such as a
tape deck or CD recorder.
11. Digital Output: (RCA Digital) 44.1kHz
S/PDIF output. The format is type 2,
form 1, S/PDIF (Sony/Phillips Digital
Interface Format). This record level
output can be connected to compatible
devices such as CD Burners, Hard Drive
recorders, or other digital mixers.
Higher audio fidelity is maintained from
these outputs.
12. Master Output (RCA Analog): This
unbalanced output is for connecting to
an external monitoring device. The
level of this output is controlled by the
MASTER volume knob on the face panel,
but not the rear panel attenuator.
13. Stereo Balanced Master Outputs
(XLR): low-impedance XLR type
connectors controlled by the Master
volume knob and the rear panel
attenuator.
14. Master Gain Reduction
(Attenuator): This knob limits the
maximum output level of the MASTER
XLR output to prevent amplifier/speaker
damage. It ranges from 0.245V to 2.0V
output.
4


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