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(2) SPEED: Adjusts the speed of modulation.
(3) FDBK: Turn to the left for negative feedback, and to the right for positive feedback. Negative
feedback provides a drainpipe, positive feedback has a more metallic character.
(4) CENTER: Adjust the center pitch for the flanger.
(5) DEPTH: Increases the depth of modulation applied to the flanger.
(6) STEREO: Offsets the modulation of the left and right channels for a stereo flanging effect.
5.8.3. Delay
Delay effects sample a portion of an incoming audio signal, delay it and play it back. This delayed
signal is then mixed with the unprocessed (dry) signal. The delayed signal can be routed back to
the input of the delay unit via a feedback loop to create echo. By increasing the feedback amount,
the number of repetitions increases. Delay repetitions, so-called taps, can be synced to your
song's tempo so they work as a rhythmical effect.
For creative effects, the delay taps in Super 8 can be dampened, meaning the frequencies of the
delay are reduced. The delay taps can also be placed anywhere in the stereo field using the Ster-
eo knob.
Delay effect overview
Delay Parameters
(1) LEVEL: Adjusts the amount of delay applied to the sound.
(2) TIME: Sets the amount of time that the signal will be delayed.
(3) SNAP: Fixes the delay to values that are snapped to the tempo.
(4) FDBK: Controls the amount of signal fed back to the delay's input. Around 100%, the feedback
signal doesn't decay anymore and enters self-oscillation, at which point the delay produces in-
creasingly louder feedback sounds. Turn down the Feedback control to stop it.
(5) DAMP: Dampens the delayed signal. Turn to the right to dampen the low frequencies. Turn to
the left to dampen the high frequencies.
(6) STEREO: Center the control to keep the delay centered. Turn to the left or right for a ping pong
effect that starts either on the left or right channel.
Overview of SUPER 8
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