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English
Note: When using the Chorus, higher speed
settings usually sound better with lower depth
settings and vice versa. Experiment to find which
selection suits you best.
14.
Reverb Balance Control
Controls the balance of the Reverb effect and the
parallel effects loop between Channel 1 and
Channel 2.
15.
Reverb Level Control
Controls the overall level of the Reverb effect.
16.
Phase Switch
Switching the phase can considerably reduce the
amount of low frequency acoustic feedback.
17.
Notch Filter Switch
Further feedback reduction can be achieved using
the selectable frequency notch filter. When
activated, the filter cuts by 10dB the frequency
selected using the rotary control (item 18).
18.
Frequency Control
If feedback occurs when the Master Volume is set
to the desired performance level, select the switch
(item 17) and rotate this control until the offending
frequency is eliminated.
19.
Master Volume
Controls the overall volume output from the
amplifier.
20.
Power Switch
This is the On/Off switch for the mains power to
the amplifier. When it is switched ‘On’, the switch
will light. Please ensure the amplifier is switched
off and unplugged from the mains electricity
supply before being moved.
Rear Panel Features
Technical Specification
1. Mains Input
Your amp is provided with a detachable mains
(power) lead that is connected here. The specific
mains input voltage rating that your amplifier has
been built for is clearly marked on the back panel.
Before connecting for the first time, please ensure
that your amplifier is compatible with your
electricity supply. If you have any doubts, please
get advice from a qualified person. Your Marshall
dealer can help you in this respect.
2. Footswitch Jack
Jack socket for connection of the optional
footswitch (model PEDL-10029) for switching the
Reverb and Chorus functions on and off.
3. Line Out Jack
Jack socket for connection to home recording or
other external equipment with jack inputs.
4. DI Out
XLR type output for connection to PA or similar
external equipment.
Note: Both the Line Out and DI out carry exactly
the same signal at different levels and both are
placed before the Master Volume so changing the
overall level of the amplifier will not affect the
signal from the DI or Line Output.
5. Effects Send Jack
Jack socket to connect to the input of an external
effects processor.
6. Effects Return Jack
Jack socket to connect to the output of an external
effects processor.
De Jim Marshall
Me gustaría agradecerte personalmente el haber elegido el combo de
guitarra acústica AS50D.
El nombre Marshall ha estado asociado a equipos de amplificación de
primera línea durante estas últimas décadas, y hemos mantenido
celosamente nuestro compromiso con la calidad desde el nacimiento de
Marshall Amplification en 1962.
En el caso de nuestros amplificadores de acústica no hemos escatimado
tiempo ni esfuerzos hasta lograr un sonido lo más natural posible. Puesto
que todos mis diseñadores son guitarristas, tenemos un profundo
conocimiento de las necesidades de los músicos y esto queda patente en
todos nuestros productos. Además puedes tener la seguridad de que todos y
cada uno de los amplificadores Marshall son diseñados y construidos bajo
los más estrictos estándares de calidad y de que están preparados para el
examen del uso continuado durante años.
Te sugiero que leas este manual antes de usar el AS50D y que lo conserves
como referencia en el futuro para poder obtener el máximo rendimiento.
Quiero desearte éxito en todos tus proyectos musicales y felicitarte por tu
nuevo Marshall AS50D, que estoy seguro que te acompañará muchos años.
Un cordial saludo,
Español
Power Output 50W RMS into 4
Main Guitar - Input Impedance 1M
Line Output - Level -10dBV
FX Send +4dBV
Microphone - Input Impedance
1k
Weight
16kg
Size (mm) 542 x 416 x 261
Fotografía: Dr
. Jim Marshall OBE y su hija V
ictoria (Directora General)
3


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