Manual Mamiya RZ67pro (page 5 of 43) (English)

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Instant Change in Format

revolving

the back 90’, the photographer can instantly change from

horizontal to vertical format, or vice versa. In the

RZ67.

viewfinder masks

also change automatically, totally eliminating the chance of exposing the

film with the incorrect composition.

Peerless Film Flatness

After prolonged testing and research, Mamiya has developed Film

Holders which solve the problem of film curl by retaining the film perfectly

flat across the entire film plane. Thus, the full potential of Mamiya-Sekor

ultra performance lenses and the large negative size are realized.

In addition to unparalleled film flatness, the Roll Film Holders also in-

corporate a double exposure prevention mechanism. with multiple expo-

sure provision as well.

Interchangeable Film Holders

120, 220 and Polaroid holders are available which not only allow the

photographer to select a holder in accordance with the application, but

also make it possible to change film in mid-roll from color to black and

white, or color negative to color reversal.

Viewing Ease

The standard

Focusing

Hood opens with a single touch. exposing a

large: bright image on the Focusing Screen. With another touch, the

Magnifier Instantly rises for critical focusing. The

four

sides of the Focus-

ing Hood totally block the screen from extraneous light so that the image

always remains bright and clear, enabling the photographer to work

speedily and accurately. Both hood and screen are instantly interchange-

able.

Lens Shutter Design

Use of a lens shutter makes it possible to synchronize electronic flash

at all shutter speeds, not only eliminating the problem of ghost images

(secondary images recorded by available light) occasionally encoun-

tered with focal plane shutters, but also enabling the photographer to

balance flash illumination with available light.

Mirror-up Photography

For occasions when the camera is mounted on a tripod, both the

and RZ67 allow the photographer to raise the mirror well before releasing

the shutter. Since

"mirror shock” is thereby completely eliminated.

razor-

sharp photographs are still possible when working at high magnifications

or long shutter speeds. This feature is especially useful

for

close-up work,

telephoto photography, and use of “slow” shutter speeds.

Built-in Bellows

Since the

and

RZ67

have a built-in bellows with a maximum exten-

sion of

46mm,

close-up photography is possible without accessories,

Moreover. by adding an extension tube, a

magnification

ratio of greater

than 1 : 1:1 (lifesize) is possible.

Additional Features

The Film Holder can not be removed from the camera back unless the

Dark Slide is first inserted into the holder, thereby protecting the film from

accidental exposure to light. Additionally, after the holder is removed, the

Dark Slide remains locked to the holder, again guarding the film from

light.

When using wide-angle lenses, the Focusing Knob of the camera can

be locked at the

hyperfocal

distance for focus-free photography. The

Focusing Knob Lock Lever also proves useful when engaged in close-up

photography, using telephoto lenses, or taking

consecutive exposures of

a stationary subject.

Finally,

multiple exposures become possible with a mere flickof the RM

Lever.

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Mamiya RZ67pro Manual

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