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Do not increase any “Input Sens.” setting for
any channel(s) of any amplifier in the system
beyond the maximum level established during
the procedure outlined in Appendix A (page
14). Doing so will result in audible distortion
and possible speaker damage.
FILTER CONTROLS
Most speakers are not designed to reproduce
the full range of frequencies audible by the
human ear. For this reason, most speaker
systems are comprised of multiple speakers, each
dedicated to reproducing a specific frequency
range. Filters are used to select which frequency
range is sent to each section of a speaker system.
The division of frequency ranges to different
speakers can be done with passive filters (coils
and/or capacitors between the amplifier outputs
and the speakers), which are acceptable and
commonly used for filtering between mid-
range speakers and tweeters. Filtering between
subwoofer systems and satellite speaker systems
is best done with active filters, which cut off
frequency content at the input to the amplifier.
Active filters are more stable than passive filters
and do not introduce extraneous resistance,
which can degrade subwoofer performance.
The active filter built into each channel section
of the A4300 can be used to eliminate potentially
harmful and/or undesired frequencies from
making their way through the amplifier sections
to the speaker(s). This serves to improve tonal
balance and to avoid distortion and possible
speaker failure. Correct use of these filters can
substantially increase the longevity and fidelity
of your audio system.
1) “Filter Mode” Control: The A4300 employs a
12dB per octave filter for each pair of channels
(one filter for channels 1&2 and another filter
for channels 3&4). Each of these filters can
be configured independently into one of two
filter types or defeated completely by way of the
three-position Filter Mode” switches:
“Off: Defeats the filter completely, allowing
the full range of frequencies present at the
inputs to feed the amplifier. This is useful
for systems utilizing outboard crossovers or
requiring full-range reproduction from one or
both of the A4300’s channel pairs.
“LP(Low-Pass): Configures the filter to
attenuate frequencies above the selected filter
frequency at a rate of 12dB per octave. This is
useful for connection of subwoofer(s) to one
or both of the A4300’s channel pairs in a
bi-amplified system.
“HP(High-Pass): Configures the filter to
attenuate frequencies below the selected filter
frequency at a rate of 12dB per octave. This is
useful for connection of component speakers to
one or both of the A4300’s channel pairs in a
bi-amplified system.
2) Filter Freq. (Hz)” The filter frequency
markings surrounding this rotary control
are for reference purposes and are generally
accurate to within 1/3 octave or better. If you
would like to select the filter cutoff frequency
with a higher level of precision, consult the
chart in Appendix B (page 15).
Tuning Hint: If you are using the A4300 to drive
a subwoofer system (“LP mode), a component
satellite speaker system (“HP mode) or both,
80 Hz is a good baselineFilter Freq. (Hz)
setting. After properly adjusting the “Input
Sens., as outlined in Appendix A (page 14), you
can fine tune the “Filter Freq. (Hz)” control to
achieve the desired system frequency response.
JL AUDIO A4300 7
INPUT SECTION
The A4300’s input section allows you to send
signal to the amplifier section through the use of
either two or four differential-balanced inputs.
Input connections are via traditional
RCA-type jacks.
If you wish to send four discrete channels into
the A4300, simply use all four inputs (channels
1 & 2 and channels 3 & 4) and set the “CH 3&4
Input From” switch to “Discrete”.
If you wish to feed all four channels by using
only two channels of input, set the “CH 3&4
Input From” switch to “1&2” and use only the
inputs to channels 1 & 2.
Input Voltage Range:
A wide range of signal input voltages can be
accommodated by the A4300’s input sections
(200mV – 8V). This wide range is split up into
two sub-ranges, accessible via a switch located to
the left of the Input Connectors. Be aware that the
position of this switch will dictate the sensitivity
range for all four input channels.
TheLow” position on the “Input Voltage
switch selects an input sensitivity range between
200mV and 2V. This means that the “Input
Sens.” rotary control will operate within that
voltage window. If you are using an aftermarket
source unit or an OEM interface processor with
conventional preamp-level outputs, this is most
likely the position that you will use.
TheHigh” position on the “Input Voltage
switch selects an input sensitivity range between
800mV and 8V. This is useful for certain high-
output preamp level signals as well as speaker-
level output from source units and
small amplifiers.
To use speaker-level sources, splice the speaker
output wires of the source unit or small amplifier
onto a pair of RCA plugs for each input pair.
No line output converter is needed in most cases.
The output of the amplifier will decrease for
a given input voltage when the “Input Range”
switch is placed in the “High” position.
Conversely, the output will be higher with the
switch in the “Low” position. While this may
sound counter-intuitive, it is consistent with the
descriptions in this section.
INPUT SENSITIVITY CONTROLS
Once the appropriate “Input Voltage” range
has been selected, the controls labeled “Input
Sens.” located in each “Channel Controls
section can be used to match the source units
output voltage to the input stage of each pair of
amplifier channels for maximum clean output.
Rotating the control clockwise will result in
higher sensitivity (louder for a given input
voltage). Rotating the control counter-clockwise
will result in lower sensitivity (quieter for a given
input voltage.)
To properly set the amplifier for maximum
clean output, please refer to Appendix A (page
14) in this manual. After using this procedure,
you can then adjust any or all “Input Sens.
levels downward if this is required to achieve the
desired system balance.
6 JL AUDIO A4300
4


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