Manual JBL k2 s9800 s e mahogany hoogglans (page 3 of 30) (English)

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He went on to describe the process

behind his creation: “Most people who

own and appreciate fine sound repro-

duction equipment look forward to the

day when they will be able to assemble

a system without limitation in just

exactly the way they think it should be

done. Periodically a manufacturer gets

this same feeling ... The science of

acoustics has provided us with basic

principles-available to all for achieving

precision reproduction. It is only a mat-

ter of incorporating these methods into a

system design, and then taking every bit

of trouble necessary to build a system

precisely to the design.”

"It isn't easy, but that's the way it is

d o n e . "

The R a n ge r- Pa rag o n , JBL's second

P ro j e c t system, was the first serious

attempt at a reflecting speaker system,

and broke ground in the new concept of

stereo imaging. Essentially two inde-

pendent full-range speaker systems

installed in a handsome curved cabinet

nearly 9 feet long, the Pa r ag o n ' s e n c l o -

sure was treated as an extension of its

transducers. In essence, the system had

its own "built-in acoustics." In many

respects the Pa r ag o n anticipated loud-

speaker developments that would occur

years-and even decades-later.

For nearly 30 years, the Pa r ag o n r e -

mained the most acoustically viable

sound system for the home. To d a y,

along with the H a r t s fi e l d, it is still the

most sought-after speaker in the world.

In 1986, JBL introduced a new P ro j e c t

system that retained the Pa rag o n ' s o v e r-

all sense of musicality while upgrading

its character by incorporating three

decades' worth of continuous develop-

ment in every facet of its design. Its

name reflected the pinnacle of achieve-

ment it represented: P roject Evere s t .

For the first time, the rest of the sound

reproduction chain-and not the loud-

speaker or its transducers-would impose

limits on overall system performance.

Like the Pa r ag o n and H a r t s fi e l d ,

P roject Evere s t was built around com-

pression driver technology and

addressed a more refined stereo image

than was previously considered techni-

cally feasible.

Since P roject Evere s t was introduced,

sound recording and playback technolo-

gy has undergone a revolution of its

own. With the advent of CD, extremely

demanding recorded signals had

become the rule rather than the excep-

tion-the average source material used by

the typical audio enthusiast had become

superior to the best demonstration mate-

rial of even just a few years ago. In

overall dynamics and transient response,

transducers are once again a potential

weak link in the high-end audio repro-

duction chain.

It was in this environment that JBL s e t

out to create its fourth and fifth P ro j e c t

loudspeakers, K2 S9500 and K2 S5500.

As with H a r t s fi e l d, the puritan simplici-

ty of a two-way system was considered

the most promising design track.

Advances in transducer design and low

frequency alignment would make the

construction of a two-way system of

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JBL k2 s9800 s e mahogany hoogglans Manual

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