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so
that
needle
stitches
into
ma
terial
at
either
side
of cord.
Re
gulate
length
of
stitches,
so
that
they
become
closely
space(1.
When
braiding
make
widely
spaced
stitches
to
leave
the
cord visible.
For
soutage
(fig.
57)
embroidery
andbraiding
use
zig-zag
presser
foot
for
zig-zag
or
straight
stitches.
Attaching
lace
edging
Set
starting
position
knob
(18),
in
“central”
position.
Regulate
width
of
zig-zag
and
length
of
stitch
to
suit
the
particular
kind
of
fabric
on
which
you
are
sewing.
Turn
cut
edge
of
material
under
a
trifle
more
than
I’lace
edge
of
lace
closely
against
fold
of
ma
terial
which
should
he
centered
un(ler
presser
foot.
Lower
presser
foot
and
start
sewing,
making
sue
that
needle
stitches
alternately
into
ma
terial
and
lace.
Trim
turned-under
edge
close
to
zig-zag
stitches.
(See
fig.
58.)
Lace
insertions
Prepare
machine
in
same
way
as
for
attaching
lace.
Baste
lace
inser
tion
onto
right
side
of
material.
Using
fine
needle
and
thin
thread,
follow
edge
of
insertions
with
short
and
narrow
zig-zag
stitches.
Be
sure
that
needle
stitches
alternately
into
material
and
into
lace
insertion.
After
insertion
is
completely
attach
ed,
turn
material
over
and
trim
to
about
‘/“
from
edge.
Roll
back
trim
med
edge
an(l
stitch
it
down
with
short,
straight
stitches.
Applique
Flowers,
initials
and
other
decora
tions
can
effectively
be
appliqueed
onto
table
cloths,
pillows,
bedth
rows
and
garments
by
first
basting
onto
the
article
a
piece
of
material
on
which
the
desired
design
has
been
outlined.
Adjust
machine
to
sew
closely
spaced
zig-zag
stitches
of
about
/io”
to
I.2”
width
and
place
article
un
der
the
presser
foot.
Align
edge
of
design
with
center
of
presser
foot.
Start
sewing,
following
the
contour
of
the
design.
(Se
fig.
59
and
60.)
Rug
making
(Ryn-technique)
When
making
rugs
on
the
sewing
machine,
a
so
called
weaver’s
reed
is
used,
which
is
provided
with
a
slot
in
the
blade
and
a
loop
for
locking
the
narrow
part
of
the
reed
after
the
wool
has
been
wound
around
it.
Squared
canvas
or
juste
should
be
used
as
foundation.
The
wool
should
be
wound
a
few
turns
around
the
reed,
but
not
too
tight.
The
presser
foot
is
lowered,
and
stitching
takes
place
backwards
and
forwards
over
the
wool
through
the
slot
in
the
reed.
After
this
has
been
(lone,
the
loop
is
unclasped,
the
reed
is
pushed
forward
and
more
wool
is
wound
on
it.
When
the
wool
has
been
sewn
on
for
the
whole
length
of
the
reed
it
should
be
cut
with
a
pair
of
scissors
without,
how
ever,
removing
the
work
from
the
machine.
The
sewing
then
continues,
row
upon
row,
until
the
required
design
is
finished,
when
the
threads
are
secured
with
stitching
backwards
and
forwards.
(See
fig.
61.)
Jlemstiiching
Draw
the
desired
number
of
threads
from
the
material,
as
is
customary
when
hemstitching
by
hand.
Prepare
machine
by
adjusting
length
of
stitch
to
suit
the
weight
of
the
material.
Use
short
stitches
when
sewing
batiste,
cottons,
etc.
When
hemstitching
coarser
material,
use
a
correspondingly
larger
stitch.
Set
zig-zag
regulating
knob
(24)
to
dial
marking
“1”.
Starting
position
knob
(18)
remains
in
the
“central”
position.
Place
material
under
presser
foot
and
sew
along
one
edge
where
the
threads
have
been
drawn.
Be
sure
that
needle
stitches
alternately
into
the
solid
material
and
into
the
space
where
the
threads
have
been
pulled.
Upon
completion
of
one
edge,
follow
the
same
method
to
stitch
the
other
edge.
By
cutting
along
the
center
of
the
hemstitching,
a
PICOT
(fig.
62)
edge
can
be
obtained.
Fig.
57.
Fig.
61.
Fig.
60.
Fig.
58.
28
Fig.
59.
29
16


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