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52 X32 DIGITAL MIXER Preliminary User Manual
Note that the graphics at the top of the screen will always display a green led
when the console has achieved proper “digital lock, from either its own internal
clock or a valid external clock.
7. Tap the 4th encoder to cycle through the dierent settings for the console’s
internal date and time settings.
8. Adjust the 4th encoder to set the value for the currently selected
date/timesetting.
9. Adjust the 5th encoder to select the console’s “Bus Pre-Conguration”.
Thissettings allows the mix bus outputs to be congured in various
combinations of:
• Pre-fader, variable output auxiliary sends
• Post-Fader, variable output auxiliary sends
• Fixed-output sub groups
10. Choices include:
• 8 pre-fader auxiliary sends, 8 post-fader auxiliary sends,
and no sub-groups
• 8 pre-fader auxiliary sends, 4 post-fader auxiliary sends,
and 4 sub-groups
• 6 pre-fader auxiliary sends, 4 post-fader auxiliary sends,
and 6 sub-groups
• 4 pre-fader auxiliary sends, 4 post-fader auxiliary sends,
and 8 sub-groups
• 10 pre-fader auxiliary sends, 6 post-fader auxiliary sends,
and 0 sub-groups
11. Tap the 5th encoder to assign the currently selected conguration.
As the conguration is selected, a display on the right-hand side of the color
screen changes to show the currently selected conguration.
7.5.3 Setup Screen: Remote Tab:
The setup screen’s remote tab allows setting up the console as a control surface
for various DAW recording software on a connected computer. With its large
complement of motorized faders, the console can act as an excellent controller
for various DAW software, allowing the user to make level adjustments quickly
and easily without using a mouse.
To adjust the various remote settings, perform the following steps:
1. Tap the 1st encoder to enable the console’s top panel Remote button.
Thisswitches various console hardware, such as the bus faders, tocontrol
computer DAW software instead of the console’s internal audiopath.
2. Adjust the 2nd encoder to select the specic control surface protocol used,
inconjunction with the target DAW software. Choices include:
• Mackie Control: Use this protocol to control any DAW software that is
compatible with a Mackie Control hardware control surface.
• HUI: Use this protocol to control any D.A.W. software that is compatible
with a HUI hardware control surface, such as Pro Tools.
3. Tap the 2nd encoder to assign the currently selected control surface protocol.
4. Adjust the 5th encoder to select whether the remote function uses the MIDI
In and OUT jacks or the XUF card's MIDI.
5. Tap the 5th encoder to conrm the selection.
6. Adjust the 6th encoder to adjust various MIDI-based operations for the
console. Choices include:
• MIDI In/Out: This toggles the MIDI input and outputs for the console
on/o.
• Card MIDI: Allows MIDI transmission through the XUF card.
• USB In/Out: This toggles the console’s USB ports on/o.
• RTP (Real-time Transport Protocol): This toggles on/o the console’s
ability to interface with an Ethernet-based MIDI system.
• Enable MIDI scene recall: This toggles on/o the console’s response to
incoming MIDI messages for switching console scenes.
7. Tap the 6th encoder to toggle the currently selected MIDI option
on/o. Thiscan be useful if you want to ensure that any connected MIDI
transmitters cannot interfere with the console.
7.5.4 Setup Screen: Network Tab:
The setup screen’s network tab contains settings used when connecting the
console to a standard Ethernet network. The user can set parameters such as
using a xed IP address or having one assigned, as well as setting up the Ethernet
and subnet mask settings.
To set the network address for the console, perform the following steps:
1. Adjust the 1st encoder to select which specic network eld to adjust.
Choices include:
• IP Address
• Subnet Mask
• Gateway
2. Adjust encoders 2, 3, 4, and 5 to set the 4 numerical elds to be adjusted,
forthe selected network eld.
3. Tap the 6th encoder to assign the adjusted settings.
52


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